We're the Miami video production company that measures success in bookings, not just views.
Commercial films, brand campaigns, and monthly short-form content — planned, shot, cut, and posted by us. Based in Miami, filming wherever the work goes: South Florida, the US, Europe. You show up. We handle everything else.
Most Miami business video looks expensive and does nothing.
The trophy film
A beautiful brand video that lives on a homepage nobody visits. It won the internal Slack channel. It never booked a single call.
The hard-drive handoff
The crew that shoots for a day, hands you 400 gigabytes of footage, and disappears. Now editing is your problem. It was never posted.
The dead calendar
The content plan that started strong and died by week two — because nobody who runs a real business has time to be their own production company.
We build video with a job to do — book the call, fill the schedule, sell the thing.
What we've been shooting
Commercial. Events. Fashion. Monthly content — real projects for real clients, shot across Miami and beyond. Tap any card to watch. Results and numbers get added as they wrap — nothing invented.
Want your project in this grid?
Book a call →We control the whole pipeline.
Most agencies outsource the creative. We don't. We make the content, put it in front of the right people, and turn attention into booked revenue — one team, start to finish.
Commercial Video Production
Commercial video production · MiamiHigh-production brand films, product videos, and cinematic ads — full crew, directed, produced. Campaign stills shot in the same visual language when you need them.
Book a call →Event Video Production
Event video production · MiamiOpenings, conferences, activations, shows, music videos. Multi-camera when it calls for it — and the highlight film your audience actually wants to watch.
Book a call →Social Media Content
Social media content production · MiamiOne film day, 16–20 short-form videos — Reels, TikTok, Shorts, founder content, BTS. Raw, native, and made to post, not to sit in a folder.
Book a call →Paid Advertising & Lead Gen
Meta & Google advertisingCampaign strategy, targeting, retargeting, and creative testing — measured in booked calls and qualified leads, not impressions.
Book a call →Social Media Marketing
Social media management & growthContent strategy, calendars, posting, community engagement, and organic growth — we run the accounts so your presence builds while you work.
Book a call →Conversion Funnels & Automation
Funnels · CRM · automationLanding pages, sales funnels, CRM, email & SMS follow-up, appointment workflows — the system that turns attention into revenue you can measure.
Book a call →See if you're a fit.
Three quick questions, then book the call. Fifteen minutes. If we're not the right fit, we'll tell you straight.
Last step: book the call.
Fifteen minutes. You talk, we listen — and you get a real number before you hang up.
Book a callReminder: six film-day slots a month. When they're gone, they're gone.
Three steps. No homework.
The call
Fifteen minutes. You talk, we listen, and we both find out if this is a fit. You leave with a fixed quote and a straight answer — no pitch deck, no pressure.
The film day
We plan the shots, build the run-of-show, and bring the gear. You show up and be yourself — we direct you and your people through the rest.
Content ships
Edits land captioned, formatted, and scheduled. You approve from your phone. The feed stays full and the phone gets busier.
The no-dead-footage guarantee
- ✓Fixed quote before we roll. The number from the call is the number on the invoice. No surprise line items, ever.
- ✓Delivery dates in writing. You'll know exactly when everything lands before we ever pick up a camera.
- ✓Revision rounds defined up front. Agreed in the quote — so "one more tweak" never becomes a fight.
- ✓You own every frame. Finished cuts and raw selects — your footage, your files, no ransom.
We're picky on purpose.
We book a limited number of film days each month, so we protect them. Here's the honest filter:
Probably a fit
- You want video with a job to do — bookings, sales, a fuller schedule.
- You're ready to be on camera, or to put your team and real clients on it.
- One hero film or a monthly rhythm — either way, you're thinking past a one-week splash.
- You're building a brand for the long run — in South Florida or way beyond it.
Probably not
- You need something cheap by Friday.
- Every caption needs three rounds of committee approval.
- You want footage to file away "for when we need it."
- The brief is "just make us go viral."
Sound like you on the leftup top? Book a call →
Don't take it from us
"[REAL CLIENT QUOTE]"[Full Name] — [Role], [Business]
"[REAL CLIENT QUOTE]"[Full Name] — [Role], [Business]
"[REAL CLIENT QUOTE]"[Full Name] — [Role], [Business]
The team behind the vision
I've been making videos since I was ten. Miami just made it official.
I started with stop-motion Lego shorts filmed on a Nintendo 3DS. Fifteen years of editing, VFX, and shooting later, I turned the obsession into a production company — founded in 2021, built in Miami.
I was born in Mexico City and raised in South Florida, so this is home turf: I know what Brickell looks like at golden hour, which Wynwood walls have been shot to death, and how to light a storefront in Little Havana without losing the neon.
Every project still gets my eyes — I'm a Miami videographer and director before anything else, and I set the creative bar for everyone we bring on. As the team grows, the standard doesn't move: no account managers relaying notes, just the people actually making your stuff.
— Daniel Bernadez, Founder & Creative Director
Pretty is easy. Profitable is Jake's job.
Views don't pay rent. Jake runs the marketing brain behind every shoot — the funnels, the ad spend, the posting schedule — and pressure-tests all of it against one question: will this actually make you money?
If the answer's no, it never makes the shot list. No vanity metrics, no "brand awareness" hand-waving — just video with a straight line to booked calls and sold product.
Jake Chess — Chief Marketing Officer
FAQ
How much does video production cost in Miami?
In the Miami market, a one-off commercial shoot typically runs anywhere from a couple thousand dollars to well past five figures depending on scope — and most companies won't tell you where you'll land until after a long discovery dance. We do it differently: you get a fixed number on the call, in plain English, and it doesn't change after we shake on it.
How fast will I get my content?
For monthly content clients, shorts from your film day ship on a posting schedule across the following weeks, so your feed never goes quiet. For one-off commercial projects, we agree on delivery dates in writing before we ever roll — no open-ended "it's in post" purgatory.
What do you need from me?
Honestly? A few hours and a real answer to "what do you want this video to do." We handle planning, shot lists, direction, gear, editing, captions, and posting. You bring yourself, your team, or your clients — we direct everyone once the camera's up.
Who owns the footage?
You do. Every frame we shoot for you is yours — raw selects available on request. We may ask to feature finished work in our portfolio, and you can say no.
Do you handle the posting too?
On monthly content packages, yes — captioned, formatted per platform, and scheduled. You approve from your phone. If you'd rather post yourself, we deliver everything ready-to-go with captions written.
Do you only work with med spas?
No. We shoot commercial films, brand content, events, and monthly social packages for businesses across South Florida. Med spas and aesthetic clinics get a dedicated productized system — the Glow-Up Engine — because that industry has very specific content needs. Everyone else gets a plan built around their goals.
What areas do you serve?
Home base is Miami — we film across Miami-Dade, Broward, and Palm Beach every week. But we don't stay put: we've shot all over the US and in Europe, and destination film days are a conversation we're always up for.
What actually happens on a film day?
Before the day, we build a run-of-show: every setup, every shot, every talking point, scheduled to the hour. On the day, we show up with the gear, direct you and your people through it, and capture everything the month's content needs — interviews, b-roll, process shots, personality moments. You mostly just do your job while we film it.
How do revisions work?
Revision rounds are defined up front in your quote, so there's no guessing and no surprise invoices. We'd rather nail the brief in pre-production than fix it in post — that's what the call and planning are for.
Why a call instead of a quote form?
Because a form can't tell us what your video is supposed to do, and we can't quote honestly without knowing that. Fifteen minutes gets us both real answers: what you need, what it costs, whether we're the right crew for it. If we're not, we'll tell you straight.
I've never been on camera. Is that a problem?
It's the default, not a problem. Most of our subjects are business owners, staff, and clients — not actors. We direct you through everything, keep takes short, and cut around the awkward parts. On-camera comfort is our job, not yours.